Canon Joins the Full-Frame Mirrorless Fray With the EOS R

Details started showing up on camera rumor pages over the weekend, just now information technology'due south official—the EOS R, Catechism'due south total-frame mirrorless, is here. And while it'due south early, there's reason for the competition to take serious annotation. One is Canon'southward make proper name itself—while Sony may take led in total-frame sales over the first half of this year, Catechism remains the elephant in the room when it comes to cameras, the proper noun most associated and trusted in the space.

The EOS R

The first model in Catechism's new series, the EOS R, sports a 30.3MP full-frame sensor, presumably based on the sensor used in the EOS 5D Mark IV. That's a good thing—our tests testify that the 5D Mark Four sensor is the best Canon has to offer, balancing resolution and dynamic range, and including on-sensor autofocus.

The EOS R sports an unfathomable v,666 autofocus points. The sensor pattern, which splits every pixel into 2 halves, allows for this. Instead of using masked pixels dedicated to focus spread across the sensor as you go with the Sony a7 Three and Nikon Z 7, both of which count focus points in the hundreds, the Dual Pixel AF pattern allows any pixel to detect focus in theory. At that place are applied reasons to limit which are active. Image processors tin only track so much data in real time, and it'south not effective to scroll through every pixel for manual focus point pick. We can presume that Canon has washed its homework when it comes to optimizing its autofocus system.

Autofocus coverage is a more practical mensurate of comparing mod sensors. The EOS R covers the entirety of the sensor from top to bottom and 88 percent of its width. It's not far off from the 93 per centum coverage you become with the Sony a7 Three or the 90 percent offered by the Nikon Z vii and Z 6.

Despite dense autofocus coverage, the EOS R isn't a globe-beater when information technology comes to tracking focus. Canon states that information technology's capable of capturing subjects at up to 5fps when adjusting focus from shot to shot, or at just 3fps with both tracking and focus confirmation. If you are fine photographing with focus locked in at the starting time shot you can button the capture rate to 8fps. It notwithstanding pales in comparison with the Sony a7 Iii, which tracks and shoots at 10fps with stunning accuracy, or the Nikon Z vi, which promises to do the same at upwardly to 12fps.

Also missing is in-body paradigm stabilization (IBIS). Sony and Nikon's cameras incllude the feature, which adds stabilization to whatsoever lens, even those mounted via an adapter. Canon continues to rely solely on in-lens stabilization. This is a missed opportunity, as IBIS is a real benefit, peculiarly for video work.

The photographic camera is sealed to protect it from dust and splashes—now a standard feature on models aimed at pros and enthusiasts. Information technology'due south powered by the same LP-E6N battery every bit in most of Catechism's current SLRs. Battery life varies based on photographic camera settings, just CIPA estimates about 350 shots when using the EVF in standard manner and 430 with ability saving enabled. You lot'll get more shots with the rear LCD, merely using the wireless transmission capabilities or recording video volition cut into battery life, as with any camera.

In terms of manner, the EOS R looks like a Canon photographic camera. It's blackness, with a textured finish over a magnesium alloy chassis. The grip looks comfortable, but I haven't had the opportunity to choice up the photographic camera as of nevertheless—I'll report dorsum as to how information technology feels when information technology arrives for review. It's a chip smaller than a 5D Mark Iv. The EOS R is three.9 by v.4 by iii.3 inches (HWD) and 1.v pounds without a lens, while the 5D is 4.half dozen by 5.9 past 3.0 inches and one.8 pounds.

The torso sports a vari-bending rear touch on LCD, an OLED EVF with 0.76x magnification (a little fleck smaller than the Sony and Nikon contest), Wi-Fi and Bluetooth, a mic input and headphone jack, and a single carte du jour slot for SD memory with support for UHS-Ii speeds. Nikon likewise opted for a single slot with its two Z mirrorless camera, although with 1 that uses faster, pricier XQD media. Sony includes dual SD slots in its a9 and a7 Three family, although just one supports UHS-II.

Video recording is supported at up to 4K quality, with your choice of 480Mbps All-I and 120Mbps IPB compression formats. That's the good. At that place's bad besides—the 4K footage has a heavy 1.7x crop, then you're not using the entire width of the prototype sensor. It limits broad-angle coverage, so video captured with Canon'south unique EF eleven-24mm zoom won't be quite as epic.

You can shoot at 23.98, 24, or 29.97fps. HD recording, at 1080p or 720p, is also supported. You can push button 1080p footage as far equally 60fps, while 120fps is available at 720p. There is support for HDR video, simply only at 1080p 23.98fps and 720p 29.97fps settings. Your ISO is limited to the standard range, which starts at ISO 100 and tops out at 25600 for video. (The standard range goes up to ISO 40000 when shooting sitlls.) In other video modes yous have access to the extended ISO settings, which range as high as ISO 102400. The low extended setting, ISO fifty, is only available for stills.

A New Mountain and Lenses

Canon has opted for a different lens mount for its mirrorless system, a departure from what Sony and Leica have washed with their corresponding systems. The EOS R features an RF mount, unlike from the EF found in full-frame SLRs, the EF-S found in its APS-C SLR offerings, and its APS-C EOS One thousand mirrorless mount.

The EOS R supports EF SLR lenses via an adapter. Catechism is selling three versions, one with no additional controls, ane with a programmable control ring, and a third that supports drop-in filters. The latter is likely to be a striking with videographers, every bit they'll be able to use a single set of ND filters with all adjusted lenses. Because focus is on the sensor, adapted lenses should work merely too every bit they do with with a Dual Pixel AF SLR in Live View manner. You tin can mountain EF-S lenses using the adapter, and while they won't cover the entire sensor when shooting stills, they will work for 4K video with its heavy ingather factor.

Catechism isn't fooling around when it comes to native lenses either. It is releasing four, any of which is enough to become serious photographers excited. The near stunning is the RF 28-70mm F2 L. Information technology'due south but the 2d f/2 zoom for full-frame systems, and while it doesn't have the wide-bending coverage of the first, the Sigma 24-35mm F2 DG HSM Art, information technology should be a striking with event photographers, as it gathers twice equally much light as an f/2.8 zoom when shot wide open.

Information technology's being joined past the more than pedestrian, simply nonetheless useful, RF 24-105mm F4 L IS, which is two stops slower but offers a much longer zoom range and image stabilization, and is much smaller. Prime lenses at launch include the RF 50mm F1.2 L, two-thirds of a stop brighter than an f/1.four prime, and the RF 35mm F1.viii IS STM Macro.

Mirrorless Is the Future

The writing has been on the wall for some time, but the future of interchangeable lens cameras was cemented with terminal year's Sony a9. It boasted a lot of firsts, including the first full-frame sensor with a readout fast enough for freezing quick activeness without the aid of a mechanical shutter and 20fps Raw capture with subject area tracking and no viewfinder coma.

In the past two weeks, both Canon and Nikon have joined a space that Sony has hands dominated to this point. All recognize the benefits of eliminating the mirror box assembly—fewer moving parts, faster frame rates, sensor-based autofocus, and a real-fourth dimension preview of what your finished image will expect like thanks to the stunning quality of modernistic electronic viewfinders.

If rumors play out to be true, Panasonic will be joining the fray before the end of this calendar month. Though, as with all rumors, you should accept that one with a big grain of salt. Only Panasonic is Panasonic, making everything from microwaves to loftier-end video cameras. Canon is Catechism. Information technology is, forth with Nikon, i-half of the almost famous names in Japanese cameras. Both companies releasing new systems within such a small amount of time is no pocket-sized amount of potatoes.

Even if Panasonic doesn't spring in soon, photographers shopping for a new full-frame camera now take two large mirrorless system options that they didn't before. Sony has a big head start, including five years of lens development and compatibility with Canon EF lenses using a third-party adapter like the Sigma MC-11.

I've had some hands-on fourth dimension with the new Nikon system, a lot of time with the Sony system, and absolutely no time with the but-announced Canon EOS R. Check back for reviews of the new players as shortly as I'chiliad able to put them through their paces.

Pricing and Availability

The EOS R is set to ship in October. It's priced at $2,299 as a body only, or $3,399 when purchased with the 24-105mm lens.

The basic adapter for EF lenses, the Mount Adapter EF-EOS R, costs just $99.99, while the Control Band Mountain Adapter EF-EOS R is twice that, $199.99. Both will transport in October, and will be followed by the Drop-In Filter Mountain Adapter EF-EOS R in March. It will exist sold with a circular polarizing filter for $299.99 or with a variable power neutral density filter for $399.99.

For lenses, the RF 50mm f/one.ii L USM is shipping get-go, in October, for $two,299. You'll need to wait until December to buy the RF 24-105mm F4 L IS USM exterior of the bundled kit. It'southward priced at $1,099 on its own. It will exist joined that month by the RF 28-70mm F2 L for $2,999 and the RF 35mm F1.8 Macro IS STM for $499.

Source: https://sea.pcmag.com/sigma-24-35mm-f2-dg-hsm-art/29221/canon-joins-the-full-frame-mirrorless-fray-with-the-eos-r

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